Gig Goin’ – The Ralities at Phyllis Maud Performance Space.

Over the summer, there have been several standout shows at perhaps Newport’s most unique venue—thanks to Dirty Carrot Records. The former public toilet block has played host to some unforgettable performances, including sets from Greg Ryan, Mr Bewlay, and Eleri. Having attended a couple of these events already, I was excited to return for another impressive line-up.

The evening kicked off with Antony Partridge, known from Jump The Underground and New Arcadia. This was only his second solo performance in 20 years, and he delivered a heartfelt set that included a brand-new song just three days old, a brilliant version of Jump The Underground’s anthem Up For Days—which went down especially well with fans sporting the band’s T-shirts—and a superb finale with The Beatles classic Here Comes The Sun. I particularly enjoyed the emotion in the opening tracks, which showcased Antony’s talents as both a songwriter and guitarist. Hopefully, we’ll be seeing more from him soon.

Next up was Caldicot-based, award-winning singer-songwriter and ukulele player Shiftypop. Known for her live TikTok sessions and recent solo releases, this was my first time seeing her live. She delivered a bright and engaging set of upbeat songs with meaningful lyrics, including tracks from her former band Toypop. Standout moments included opener Hello, the Toypop track Simulated Imitation, and a fun, unexpected cover of Green Day’s Basket Case to close. Her energy lifted the crowd and set the perfect tone for the headline act.

Headlining were The Ralities, a five-piece band from South Wales who were nominated for Best Jazz/Funk/Blues Act at the Newport City Radio Love Live Music Awards earlier this year. They’re currently gigging in support of their debut album The Pleasure’s Been All Ours. With influences spanning soul, funk, folk, jazz, and rock, I was curious to see how their sound would adapt to this intimate setting.

Performing a more stripped-back set than usual, The Ralities opened with Waiting for the Summer and delivered a beautifully paced performance that highlighted both their musical range and on-stage chemistry. Personal highlights included the Style Council-inspired Summer Rain, the poignant Here Do We Lie—a moving piece about young soldiers in World War I—and the funk-driven State I’m In, which had a Sly and the Family Stone vibe. There was even a fun cameo from Joe Kelly playing a bell on one track. The rousing Evangeline, the album’s opener, provided a fittingly powerful finish.

This was a high-quality, musically rich set that suited the intimate venue perfectly. From Bongo’s soulful vocals to Sue’s deft touches on keyboard and sax, and Simon’s impressive guitar work—even without his usual pedal board—the band shone throughout. Special mention to the rhythm section too, especially the drummer who was only on his third gig with the band. The Ralities left everyone smiling and are undoubtedly a must-see act on the live music circuit.

Find out more about The Ralities at:
https://www.theralitiesband.com

Written by Stephen Howell