Newport City Radio – Live Right here, Right Now
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Episode 78: What'll be in the box at Elimination Chamber?
Newport has many stories, but few as delightfully unexpected as the rise of The Phyllis Maud Performance Space—an Edwardian public toilet turned one of the city’s most atmospheric music venues.
Recently on Newport City Radio, hosts welcomed Joe Kelly and Sara, the duo behind the Maud to talk about its evolution, its community, and an exciting new project bringing Nashville-style storytelling to a tiny Welsh stage.
If you’ve spent time around the station, you’ve likely heard of the Bog Blog, the legendary series by former volunteer Joe, who once reviewed venues by rating… their toilets.
So when Jo and Sara stepped into the studio, it didn’t take long for the topic to resurface pun very much intended.
Yes, Phyllis Maud used to be an Edwardian toilet. No, it isn’t one anymore. And thankfully, yes its current facilities have passed the Bog Inspector’s test.
But beyond the laughter lies something far more meaningful: a once-forgotten building now transformed into a warm, character-filled creative hub seating just 25 people.
Since opening, the Maud has become known for its intimate atmosphere a space where musicians feel seen, audiences feel connected, and every note feels personal.
“We love giving a platform to new artists as well as established ones,” Sara shared. “We want it to be warm, safe, and eclectic.”
And eclectic it is. While they host all kinds of genres, Joe and Sara noticed something special happening with story-driven music, folk, country, blues styles rooted in history, imagery, and honest songwriting. These genres seemed to ignite something powerful in the room. Their “Folk of the Maud” nights became proof of that.
Now, they’re taking it one step further.
Launching on December 6th, Coalfire Country brings the classic Nashville Songs in the Round format to Newport—a setup where three artists share the stage at once, taking turns performing and telling the stories behind their songs.
Think of it like a songwriter’s campfire, but inside a beautifully reclaimed Edwardian building.
This first event features:
And that’s not all! They’re also introducing a house band, nodding to the tradition of American touring musicians who relied on talented local players to join them on stage. It’s a concept steeped in country music heritage, now lovingly woven into this cosy corner of Newport.
With the rise of AI-generated content in music, Sarah says something has shifted:
“To sit in front of artists in close quarters and see creativity unfold in real time it takes music back to its roots.”
And the Maud is perfect for that. With just 25 seats, every show feels personal. You’re not watching music happen; you’re inside it.
Their long-term vision might eventually include something larger a festival perhaps but the heart of what they do will always remain up-close and deeply human.
Joe and Sara are already taking bookings for 2026, with a focus on:
Musicians can reach out by:
Inviting them to gigs—because running a venue means they rarely get out to see new acts
What really keeps the Maud alive?
The people who show up—regularly, enthusiastically, lovingly.
“We’ve got diehards who come to every gig,” Sarah said. “It makes it all worth it.”
The support from local musicians, loyal audiences, and the wider community helps sustain what is essentially a passion project—one driven not by profit, but by purpose.
Written by: admin
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